From them, a chaining metaphor is constructed, striving for the desire to bite, to allow oneself to be bitten, to devour and devour oneself, from gentle surrenders to conditions of despair and diagnosis and comfort and attachment-detachment and sleep and laziness and rest and pinch and hobble and refusal and provocation and containment and overflow.
Algunas veces dura poco, otras se alarga más.
El hipo en perros es tan usual como en humanos. En ese espasmo involuntario las cuerdas vocales se cierran y producen el característico sonido corto: hip. The assumptions made to the body start from fragments of the work The Poetic of Reverie (1961), by the French philosopher Gaston Bachelard (1884-1962). El hipo es un espasmo involuntario que se origina al contraerse el diafragma (músculo empleado al respirar) mientras respiramos normalmente. It is in and for the body that the hypotheses reside, leaning on the construction of poetic narratives, emphasizing it as an intersection in a provoked collision between the planned demonstration and the adventurous demonstration. In this provisional condition where propositions are tested in action, this work appears as a field of experimentation, to exercise the dancing body and its organization in the scene.
En estos casos, es labor del médico tratar identificar cuál es la patología que subyace. Hypothesis, written in this way, reinforces the body in a state of supposition and lifting of fragile thoughts that are suitable for confirmation and/or refutable probabilities. Cuando el hipo no cesa, las causas que lo originan suelen ser muy distintas y, en general, más serias.
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